Results for 'Willie E. Hopkins'

956 found
Order:
  1. Introduction: philosophy and psychoanalysis.James Hopkins - 1982 - In Richard Wollheim & James Hopkins (eds.), Philosophical Essays on Freud. New York: Cambridge University Press.
    This (1982) essay sets out the claim that psychoanalysis is a cogent extension of the intuitive common sense psychology by which we naturally understand human action. In this psychology explanation proceeds by relating actions to the logically and causally cohering desires and beliefs of agents. As Freud showed, this kind of explanation is systematically deepened and extended by the explanation of dreams, the symptoms of mental disorder, and other related phenomena via the Freudian concept of wish fulfilment, which was later (...)
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  2. Quantum Critic: Conhecimento e Comunicação em Transmutação Físico-Matemática.Willis Santiago Guerra Filho - 2017 - Dissertation, Puc-Sp, Brazil
    Download  
     
    Export citation  
     
    Bookmark  
  3. Filled/non-filled pairs: An empirical challenge to the integrated information theory of consciousness.Amber R. Hopkins & Kelvin J. McQueen - 2022 - Consciousness and Cognition 97 (C):103245.
    Perceptual filling-in for vision is the insertion of visual properties (e.g., color, contour, luminance, or motion) into one’s visual field, when those properties have no corresponding retinal input. This paper introduces and provides preliminary empirical support for filled/non-filled pairs, pairs of images that appear identical, yet differ by amount of filling-in. It is argued that such image pairs are important to the experimental testing of theories of consciousness. We review recent experimental research and conclude that filling-in involves brain activity with (...)
    Download  
     
    Export citation  
     
    Bookmark  
  4.  72
    Apontamentos sobre Ética e Direito na Encruzilhada da Inteligência Artificial.Willis Santiago Guerra Filho - 2022 - In Paola Cantarini, Willis Santiago Guerra Filho & Viviane Coêlho de Séllos Knoerr (eds.), Direito e Inteligência Artificial: Fundamentos Vol. 4 – Por uma filosofia da inteligência artificial. Rio de Janeiro: Editora Lumen Juris. pp. 342-358.
    Download  
     
    Export citation  
     
    Bookmark  
  5. Direito e Inteligência Artificial: Fundamentos Vol. 4 – Por uma filosofia da inteligência artificial.Paola Cantarini, Willis Santiago Guerra Filho & Viviane Coêlho de Séllos Knoerr - 2022 - Rio de Janeiro: Editora Lumen Juris.
    Download  
     
    Export citation  
     
    Bookmark  
  6. Falsification of theories without verification of basic statements – an argument for the possibility of knowledge growth.Rainer Willi Maurer - manuscript
    Karl Popper rightly contests the possibility of a verification of basic statements. At the same time he strictly believes in the possibility of growth of empirical knowledge. Knowledge growth, however, is only possible if empirical theories can be falsified. This raises the question, how theories can be falsified, if a verification of those statements that falsify theories – i.e. basic statements – is not possible. This problem is often referred to as the “basic problem” or “problem of the empirical basis”. (...)
    Download  
     
    Export citation  
     
    Bookmark  
  7. A REGULAÇÃO DO LINCHAMENTO NO DIREITO ROMANO ANTIGO: UM ESTUDO JURÍDICO-ANTROPOLÓGICO DO ARTIGO 9º DA TÁBUA III DAS LEIS DAS XII TÁBUAS.Wilson Franck Junior & José Willy Gomes Gadelha - 2022 - O XII Congresso Internacional de Ciências Criminais da PUCRS.
    RESUMO Versa o presente artigo sobre a regulação do linchamento no Direito Romano do período antigo, em especial sobre o artigo 9º da Tábua III das Leis das XII Tábuas. A partir de uma metodologia de análise qualitativa, revisão bibliográfica e interpretação textual, os autores objetivam ampliar a visão tradicional sobre o linchamento, compreendendo a institucionalização de sua prática no Direito Romano e sua função no contexto de formação da cultura jurídica do período antigo. A hipótese de trabalho é a (...)
    Download  
     
    Export citation  
     
    Bookmark  
  8. The gift of silence : towards an anthropology of jazz improvisation as neuroresistance.Martin E. Rosenberg - 2021 - In Alice Koubová & Petr Urban (eds.), Play and Democracy: Philosophical Perspectives. New York, NY: Routledge.
    Martin E. Rosenberg -/- The Gift of Silence: Towards an Anthropology of Jazz Improvisation as Neuro-Resistance. -/- ABSTRACT: -/- This essay addresses how the complex processes that occur during jazz improvisation enact behaviors that resemble the logic of gift exchange first described by Marcel Mauss. It is possible to bring to bear structural, sociological, political economical, deconstructive or even ethical approaches to what constitutes gift exchange during the performance of jazz. Yet, I would like to shift from focusing this analysis (...)
    Download  
     
    Export citation  
     
    Bookmark  
  9. Uma Teoria da Expressão em Fernando Gil. Seguida da tradução e edição dos cursos lecionados por Fernando Gil na Johns Hopkins University, Baltimore (2002-2004).Sofia Araújo - 2013 - Dissertation, Faculdade de Letras da Universidade Do Porto
    The concept of expression has always held an important place in Fernando Gil’s thought. The author’s reflection on the idea of expression is well reflected among his writings – either in his early essays or throughout his entire work –, attaining a special focus in the lectures that he gave at Johns Hopkins University during the years of 2002, 2003 and 2004. Actually, these lectures represent the strongest testimony of the relevancy given by Fernando Gil to this concept. However, (...)
    Download  
     
    Export citation  
     
    Bookmark  
  10. Nutrição Sobre as Falhas Reprodutivas dos Bovinos.Emanuel Isaque Cordeiro da Silva - manuscript
    NUTRIÇÃO SOBRE AS FALHAS REPRODUTIVAS DOS BOVINOS -/- E. I. C. da Silva Departamento de Agropecuária – IFPE Campus Belo Jardim Departamento de Zootecnia – UFRPE sede -/- -/- FALHAS REPRODUTIVAS DE BOVINOS -/- INTRODUÇÃO -/- Os bovinos, assim como tantos outros mamíferos e demais espécies, podem sofrer distúrbios durante o ciclo reprodutivo. Transtornos, alterações ou patogenias afetam diretamente a saúde do sistema reprodutor desses animais. As causas podem ser individuais ou multifatoriais, de caráter parasitário, patogênico, climático, nutricional etc. As (...)
    Download  
     
    Export citation  
     
    Bookmark  
  11. Locke and Projects for Naturalizing the Mind in the 18th Century.Charles T. Wolfe - 2021 - In Jessica Gordon-Roth & Shelley Weinberg (eds.), The Lockean Mind. New York, NY: Routledge. pp. 152-163.
    How does Locke contribute to the development of 18th-century projects for a science of the mind, even though he seems to reject or at least bracket off such an idea himself? Contrary to later understandings of empiricism, Locke goes out of his way to state that his project to investigate and articulate the ‘logic of ideas’ is not a scientific project: “I shall not at present meddle with the Physical consideration of the Mind” (Essay, I.i.2). Locke further specifies that this (...)
    Download  
     
    Export citation  
     
    Bookmark  
  12. Partisanship, Humility, and Epistemic Polarization.Thomas Nadelhoffer, Rose Graves, Gus Skorburg, Mark Leary & Walter Sinnott Armstrong - 2020 - In Alessandra Tanesini & Michael P. Lynch (eds.), Polarisation, Arrogance, and Dogmatism: Philosophical Perspectives. London, UK: Routledge. pp. 175-192.
    Much of the literature from political psychology has focused on the negative traits that are positively associated with affective polarization—e.g., animus, arrogance, distrust, hostility, and outrage. Not as much attention has been focused on the positive traits that might be negatively associated with polarization. For instance, given that people who are intellectually humble display greater openness and less hostility towards conflicting viewpoints (Krumrei-Mancuso & Rouse, 2016; Hopkin et al., 2014; Porter & Schumann, 2018), one might reasonably expect them to be (...)
    Download  
     
    Export citation  
     
    Bookmark  
  13. rethinking machine ethics in the era of ubiquitous technology.Jeffrey White (ed.) - 2015 - Hershey, PA, USA: IGI.
    Table of Contents Foreword .................................................................................................... ......................................... xiv Preface .................................................................................................... .............................................. xv Acknowledgment .................................................................................................... .......................... xxiii Section 1 On the Cusp: Critical Appraisals of a Growing Dependency on Intelligent Machines Chapter 1 Algorithms versus Hive Minds and the Fate of Democracy ................................................................... 1 Rick Searle, IEET, USA Chapter 2 We Can Make Anything: Should We? .................................................................................................. 15 Chris Bateman, University of Bolton, UK Chapter 3 Grounding Machine Ethics within the Natural System ........................................................................ 30 Jared Gassen, JMG Advising, USA Nak Young Seong, Independent Scholar, South (...)
    Download  
     
    Export citation  
     
    Bookmark  
  14. (1 other version)Berlín.Maurice Blanchot - 2019 - Discusiones Filosóficas 20 (34):187-190. Translated by Facundo Bey.
    El presente texto de Maurice Blanchot (1907-2003) apareció por primera vez en una traducción al italiano de Guido Neri bajo el título “II nome Berlino” [El nombre Berlín], publicado en 1964 en la revista literaria dirigida por Elio Vittorini e Italo Calvino Il menabó 7, año 6, pp. 121-25. El texto original en francés se extravió y, con la autorización del propio Blanchot, Hélène Jelen y Jean-Luc Nancy tradujeron la versión italiana al francés para publicarla en 1983 como “Le Nom (...)
    Download  
     
    Export citation  
     
    Bookmark  
  15. Covid-19. A origem do vírus feito para infectar humanos.Frederico Rochaferreira - 2020 - In Covid-19. A origem do vírus feito para infectar humanos. Portugal: Lisbon Press. pp. 212.
    Nos meses de Junho/Julho - 2019, houve relatos de vazamento de patógenos do Fort Detrick, instalação do Comando Médico do Exército dos EUA, conhecido por desenvolver armas biológicas e que abriga um dos muitos laboratórios BSL-4 do país. Em agosto de 2019, a instalação foi fechada para investigação e a imprensa não teve acesso a informações detalhadas. -/- Em setembro de 2019, um vírus mortal começou a se espalhar nos EUA infectando 26 milhões de pessoas naquele outono, com pelo menos (...)
    Download  
     
    Export citation  
     
    Bookmark  
  16. Design and syntax in pictures.Robert Hopkins - 2024 - Mind and Language 39 (3):312-329.
    Many attempts to define depiction appeal to viewers' perceptual responses. Such accounts are liable to give a central role in determining depictive content to picture features responsible for the response, design. A different project is to give a compositional semantics for depictive content. Such attempts identify syntax: picture features systematically responsible for the content of the whole. Design and syntax are competitors. But syntax requires system, in how picture features contribute to content, that design does not. By examining John Kulvicki's (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  17. Artistic Style as the Expression of Ideals.Robert Hopkins & Nick Riggle - 2021 - Philosophers' Imprint 21 (NO. 8):1-18.
    What is artistic style? In the literature one answer to this question has proved influential: the view that artistic style is the expression of personality. In what follows we elaborate upon and evaluatively compare the two most plausible versions of this view with a new proposal—that style is the expression of the artist’s ideals for her art. We proceed by comparing the views’ answers to certain questions we think a theory of individual artistic style should address: Are there limits on (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  18. Imagining the Past: on the nature of episodic memory.Robert Hopkins - 2018 - In Fiona MacPherson Fabian Dorsch (ed.), Memory and Imagination. Oxford University Press.
    What kind of mental state is episodic memory? I defend the claim that it is, in key part, imagining the past, where the imagining in question is experiential imagining. To remember a past episode is to experientially imagine how things were, in a way controlled by one’s past experience of that episode. Call this the Inclusion View. I motive this view by appeal both to patterns of compatibilities and incompatibilities between various states, and to phenomenology. The bulk of the paper (...)
    Download  
     
    Export citation  
     
    Bookmark   24 citations  
  19. How To Form Aesthetic Belief: Interpreting The Acquaintance Principle.Robert Hopkins - 2006 - Postgraduate Journal of Aesthetics 3 (3):85-99.
    What are the legitimate sources of aesthetic belief? Which methods for forming aesthetic belief are acceptable? Although the question is rarely framed explicitly, it is a familiar idea that there is something distinctive about aesthetic matters in this respect. Crudely, the thought is that the legitimate routes to belief are rather more limited in the aesthetic case than elsewhere. If so, this might tell us something about the sorts of facts that aesthetic beliefs describe, about the nature of our aesthetic (...)
    Download  
     
    Export citation  
     
    Bookmark   8 citations  
  20. Explaining depiction.Robert Hopkins - 1995 - Philosophical Review 104 (3):425-455.
    An account of depiction should explain its key features. I identify six: that depiction is from a point of view; that it represents its objects as having a visual appearance; that it depictive content is always reasonably detailed; that misrepresentation is possible, but only within limits; and that the ability to interpret depictions co-varies, given general competence with pictures, with knowledge of what the depicted objects look like. All this suggests that picturing works by capturing appearances, but how more precisely (...)
    Download  
     
    Export citation  
     
    Bookmark   16 citations  
  21. How to Be a Pessimist about Aesthetic Testimony.Robert Hopkins - 2011 - Journal of Philosophy 108 (3):138-157.
    Is testimony a legitimate source of aesthetic belief? Can I, for instance, learn that a film is excellent on your say-so? Optimists say yes, pessimists no. But pessimism comes in two forms. One claims that testimony is not a legitimate source of aesthetic belief because it cannot yield aesthetic knowledge. The other accepts that testimony can be a source of aesthetic knowledge, yet insists that some further norm prohibits us from exploiting that resource. I argue that this second form of (...)
    Download  
     
    Export citation  
     
    Bookmark   84 citations  
  22. (1 other version)Visual geometry.James Hopkins - 1973 - Philosophical Review 82 (1):3-34.
    We cannot imagine two straight lines intersecting at two points even though they may do so. In this case our abilities to imagine depend upon our abilities to visualise.
    Download  
     
    Export citation  
     
    Bookmark   18 citations  
  23. The speaking image: visual communication and the nature of depiction.Robert Hopkins - 2005 - In Mathew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Malden, MA: Wiley-Blackwell. pp. 135--159.
    This paper summarises the main claims I have made in a series of publications on depiction. Having described six features of depiction that any account should explain, I sketch an account that does this. The account understands depiction in terms of the experience to which it gives rise, and construes that experience as one of resemblance. The property in respect of which resemblance is experienced was identified by Thomas Reid, in his account of ‘visible figure’. I defend the account against (...)
    Download  
     
    Export citation  
     
    Bookmark   9 citations  
  24. Aesthetics, experience, and discrimination.Robert Hopkins - 2005 - Journal of Aesthetics and Art Criticism 63 (2):119–133.
    Can indistinguishable objects differ aesthetically? Manifestationism answers ‘no’ on the grounds that (i) aesthetically significant features of an object must show up in our experience of it; and (ii) a feature—aesthetic or not—figures in our experience only if we can discriminate its presence. Goodman’s response to Manifestationism has been much discussed, but little understood. I explain and reject it. I then explore an alternative. Doubles can differ aesthetically provided, first, it is possible to experience them differently; and, second, those experiences (...)
    Download  
     
    Export citation  
     
    Bookmark   9 citations  
  25. Inflected Pictorial Experience: Its Treatment and Significance.Robert Hopkins - 2010 - In Catharine Abell & Katerina Bantinaki (eds.), Philosophical Perspectives on Depiction. Oxford, GB: Oxford University Press. pp. 151.
    Some (Podro, Lopes) think that sometimes our experience of pictures is ‘inflected’. What we see in these pictures involves, somehow, an awareness of features of their design. I clarify the idea of inflection, arguing that the thought must be that what is seen in the picture is something with properties which themselves need characterising by reference to that picture’s design, conceived as such. I argue that there is at least one case of inflection, so understood. Proponents of inflection have claimed (...)
    Download  
     
    Export citation  
     
    Bookmark   27 citations  
  26. Episodic Memory as Representing the Past to Oneself.Robert Hopkins - 2014 - Review of Philosophy and Psychology 5 (3):313-331.
    Episodic memory is sometimes described as mental time travel. This suggests three ideas: that episodic memory offers us access to the past that is quasi-experiential, that it is a source of knowledge of the past, and that it is, at root, passive. I offer an account of episodic memory that rejects all three ideas. The account claims that remembering is a matter of representing the past to oneself, in a way suitably responsive to how one experienced the remembered episode to (...)
    Download  
     
    Export citation  
     
    Bookmark   12 citations  
  27. Realism in film (and other representations).Robert Hopkins - 2016 - In Katherine Thomson-Jones (ed.), Current Controversies in Philosophy of Film. New York: Routledge.
    What is it for a film to be realistic? Of the many answers that have been proposed, I review five: that it is accurate and precise; that is has relatively few prominent formal features; that it is illusionistic; that it is transparent; and that, while plainly a moving picture, it looks to be a photographic recording, not of the actors and sets in fact filmed, but of the events narrated. The number and variety of these options raise a deeper question: (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  28. Imagination and affective response.Robert Hopkins - 2010 - In Jonathan Webber (ed.), Reading Sartre: On Phenomenology and Existentialism. New York: Routledge. pp. 100-117.
    What is the relation between affective states, such as emotions and pleasure, and imagining? Do the latter cause the former, just as perceptual states do? Or are the former merely imagined, along with suitable objects? I consider this issue against the backdrop of Sartre’s theory of imagination, and drawing on his highly illuminating discussion of it. I suggest that, while it is commonly assumed that imaginative states cause affective responses much as do perceptions, the alternatives merit more careful consideration than (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  29. The Real Challenge to Photography (as Communicative Representational Art).Robert Hopkins - 2015 - Journal of the American Philosophical Association 1 (2):329-348.
    I argue that authentic photography is not able to develop to the full as a communicative representational art. Photography is authentic when it is true to its self-image as the imprinting of images. For an image to be imprinted is for its content to be linked to the scene in which it originates by a chain of sufficient, mind-independent causes. Communicative representational art (in any medium: photography, painting, literature, music, etc.) is art that exploits the resources of representation to achieve (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  30. IX*—Wittgenstein and Physicalism.James Hopkins - 1975 - Proceedings of the Aristotelian Society 75 (1):121-146.
    James Hopkins; IX*—Wittgenstein and Physicalism, Proceedings of the Aristotelian Society, Volume 75, Issue 1, 1 June 1975, Pages 121–146, https://doi.org/10.109.
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  31. Why Pragmatism Cannot Save Us: An Expansion of the Epistemic Regress Problem.Matthew Willis - 2023 - Dissertation, University of Cincinnati
    The epistemic regress problem targets our ability to provide reasons for our beliefs. If we need reasons for our beliefs, then we may also need to provide reasons for those reasons, and so on into regress. Because the epistemic regress problem is often cast as an attack on our ability to achieve justification, it is often thought that epistemic positions which do not rely on notions like justification escape without difficulty. The first goal of this dissertation is to establish the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  32. Sartre.Robert Hopkins - 2016 - In Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination. New York: Routledge. pp. 82-93.
    In The Imaginary Sartre offers a systematic, insightful and heterodox account of imagining in many forms. Beginning with four ‘characteristics’ he takes to capture the phenomenology of imagining, he draws on considerations both philosophical and psychological to describe the deeper nature of the state that has those features. The result is a view that remains the most potent challenge to the Humean orthodoxy that to this day dominates both philosophical and psychological thinking on the topic.
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  33. "Remember Leonard Shelby": 'Memento' and the Double Life of Memory.Robert Hopkins - 2016 - In Julian Dodd (ed.), Art, Mind, and Narrative: Themes From the Work of Peter Goldie. New York, NY: Oxford University Press UK. pp. 89-99.
    Christopher Nolan’s Memento illustrates and explores two roles that memory plays in human life. The film’s protagonist, Leonard Shelby, cannot ‘make new memories’. He copes by using a ‘system’ of polaroids, tatoos, charts and notes that substitutes for memory in its first role, the retention of information. In particular, the system is supposed to help Leonard carry out his sole goal: to find and kill his wife’s murderer. In this it proves a disastrous failure. But are we so very much (...)
    Download  
     
    Export citation  
     
    Bookmark  
  34. What Perky did not show.Robert Hopkins - 2012 - Analysis 72 (3):431-439.
    Some philosophers take Perky's experiments to show that perceiving can be mistaken for visualizing and so that the two sometimes match in phenomenology. On Segal’s alternative interpretation Perky’s subjects did not consciously perceive the stimuli at all. I argue that even setting this alternative aside, Perky's results do not prove what the philosophers think. She showed her subjects, not the objects they were asked to visualise, but pictures of them. What they mistook for visualizing was not perceptual consciousness of stimuli, (...)
    Download  
     
    Export citation  
     
    Bookmark   15 citations  
  35. Sculpting in time: temporally inflected experience of cinema.Robert Hopkins - 2018 - In Jérôme Pelletier & Alberto Voltolini (eds.), The Pleasure of Pictures: Pictorial Experience and Aesthetic Appreciation. London: Routledge. pp. 201-223.
    We engage with all representational pictures by seeing things in them. Seeing-in is a distinctive form of visual experience, one in which we are aware of both the marks, projected lights, or whatever that make up the picture (its Design) and what the picture represents (Scene). Some seeing-in is inflected: what we then see in the picture is a scene the properties of which make essential reference to Design. Since cinema involves moving pictures, it too supports seeing-in. But can that (...)
    Download  
     
    Export citation  
     
    Bookmark  
  36. Enlightened Tribalism.Jonathan Anomaly, Filipe Faria & Craig Willy - forthcoming - Journal of Controversial Ideas.
    Download  
     
    Export citation  
     
    Bookmark  
  37. The Sculpted Image?Robert Hopkins - 2020 - In Fred Rush, Ingvild Torsen & Kristin Gjesdal (eds.), Philosophy of Sculpture: Historical Problems, Contemporary Approaches. Routledge. pp. 187-205.
    Representational pictures and sculptures both present their objects visually: to grasp what they represent is in some sense to see, not only the representation before one, but the object represented. But is the form of visual presentation the same? Or does a deep difference lie at the heart of our experience of these representations, a difference in how each presents us with its object? Almost all philosophical discussion of pictures and 3D representations has assumed or implied a negative answer to (...)
    Download  
     
    Export citation  
     
    Bookmark  
  38. The Significance of Consilience: Psychoanalysis, Attachment, Neuroscience, and Evolution.Jim Hopkins - 2017 - In L. Brakel & V. Talvete (eds.), Psychoanalysis and Philosophy of Mind:Unconscious mentality in the 21st century. Karnac.
    This paper considers clinical psychoanalysis together with developmental psychology (particularly attachment theory), evolution, and neuroscience in the context a Bayesian account of confirmation and disconfrimation. -/- In it I argue that these converging sources of support indicate that the combination of relatively low predictive power and broad explanatory scope that characterise the theories of both Freud and Darwin suggest that Freud's theory, like Darwin's, may strike deeply into natural phenomena. -/- The same argument, however, suggests that conclusive confirmation for Freudian (...)
    Download  
     
    Export citation  
     
    Bookmark  
  39. Sculpture.Robert Hopkins - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press. pp. 572-582.
    What, if anything, is aesthetically distinctive about sculpture? Some think that sculpture differs from painting in being a specially tactile art. Different things might be meant by this, but it is anyway unhelpful to focus on our means of access to sculpture’s aesthetic properties, rather than those properties themselves. A more promising idea is that, while painting provides its own space, sculpture exists in the space of the gallery. To pursue this thought, I expound and develop the views of Susanne (...)
    Download  
     
    Export citation  
     
    Bookmark  
  40. (1 other version)Kantian Neuroscience and Radical Interpretation.Jim Hopkins - forthcoming - In Festschfrift. not yet determined.
    This is an unedited version of a paper written in 2012 accepted for publication in a forthcoming Festschrift for Mark Platts. In it I argue that the Helmholtz/Bayes tradition of free energy neuroscience begun by Geoffrey Hinton and his colleagues, and now being carried forward by Karl Friston and his, can be seen as a fulfilment of the Quine/Davidson program of radical interpretation, and also of Quine’s conception of a naturalized epistemology. -/- This program, in turn, is rooted in Helmholtz’s (...)
    Download  
     
    Export citation  
     
    Bookmark  
  41. Freud, S.Jim Hopkins - forthcoming - In E. Neukrug (ed.), Encyclopaedia of Theory in Counselling and Psychotherapy. Sage Publications.
    Brief description of Freud's life and work, emphasising the role of fictive belief and experience (phantasy) in his account of mental disorder.
    Download  
     
    Export citation  
     
    Bookmark  
  42. The Interpretation of Dreams.Jim Hopkins - 2006 - In Jerome Neu (ed.), The Cambridge Companion to Freud. Cambridge University Press.
    Freud's account of dreams has a cogent interpretive basis.
    Download  
     
    Export citation  
     
    Bookmark   6 citations  
  43. Epistemology and Depth Psychology.Jim Hopkins - 1988 - In Peter A. Clark & Crispin Wright (eds.), Mind, Psychoanalysis, and Science. Blackwell.
    Psychoanalysis provides the best explanation of a range of empirical phenomena; epistemic criics do not take this fully into account.
    Download  
     
    Export citation  
     
    Bookmark   9 citations  
  44. Psychoanalysis Representation and Neuroscience: the Freudian unconscious and the Bayesian brain.Jim Hopkins - 2012 - In A. Fotopoulu, D. Pfaff & M. Conway (eds.), From the Couch to the Lab: Psychoanalysis, Neuroscience and Cognitive Psychology in Dialoge. Oxford University Press.
    This paper argues that recent work in the 'free energy' program in neuroscience enables us better to understand both consciousness and the Freudian unconscious, including the role of the superego and the id. This work also accords with research in developmental psychology (particularly attachment theory) and with evolutionary considerations bearing on emotional conflict. This argument is carried forward in various ways in the work that follows, including 'Understanding and Healing', 'The Significance of Consilience', 'Psychoanalysis, Philosophical Issues', and 'Kantian Neuroscience and (...)
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  45. Psychoanalysis, metaphor, and the concept of mind.Jim Hopkins - 1999 - In Michael Philip Levine (ed.), Analytic Freud: Philosophy and Psychoanalysis. New York: Routledge. pp. 11--35.
    In order to understand both consciousness and the Freudian unconscious we need to understand the notion of innerness that we apply to the mind. We can partly do so via the use of the theory of conceptual metaphor, and this casts light on a number of related topics.
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  46. Wittgenstein, Davidson, and Radical Interpretation.Jim Hopkins - 1999 - In F. Hahn (ed.), The Library of Living Philosophers: Donald Davidson. Open Court.
    Davidson's account of interpretation is closely related to that offered by Wittgenstein in his remarks on following a rule.
    Download  
     
    Export citation  
     
    Bookmark   6 citations  
  47. Free Energy and Virtual Reality in Psychoanalysis and Neuroscience: A Complexity Theory of Dreaming and Mental Disorder.Jim Hopkins - 2016 - Frontiers in Psychology 7.
    This paper compares the free energy neuroscience now advocated by Karl Friston and his colleagues with that hypothesised by Freud, arguing that Freud's notions of conflict and trauma can be understood in terms of computational complexity. It relates Hobson and Friston's work on dreaming and the reduction of complexity to contemporary accounts of dreaming and the consolidation of memory, and advances the hypothesis that mental disorder can be understood in terms of computational complexity and the mechanisms, including synaptic pruning, that (...)
    Download  
     
    Export citation  
     
    Bookmark  
  48. Critical Reasoning and Critical Perception.Robert Hopkins - 2004 - In Dominic Lopes & Matthew Kieran (eds.), Knowing Art: Essays in Epistemology and Aesthetics. Springer. pp. 137-153.
    The outcome of criticism is a perception. Does this mean that criticism cannot count as a rational process? For it to do so, it seems it would have to be possible for there to be an argument for a perception. Yet perceptions do not seem to be the right sort of item to serve as the conclusions of arguments. Is this appearance borne out? I examine why perceptions might not be able to play that role, and explore what would have (...)
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  49. Psychoanalysis Interpretation and Science.Jim Hopkins - 1992 - In J. Hopkins & A. Savile (eds.), Psychoanalysis Mind and Art. Blackwell.
    Our commonsense understanding of meaning and motive is realized via the semantic encoding of causal role. Appreciating this together with other features of semantic theories enables us to see that methodological critiques of psychoanalysis, such as those by Popper and Grunbaum, systematically fail to take account of empirical data, and if taken seriously would render commonsense understanding of mind and language void. This is particularly problematic if we consider much of what we regard ourselves as knowing is registered in language, (...)
    Download  
     
    Export citation  
     
    Bookmark   6 citations  
  50. Wittgenstein and the life of signs.Jim Hopkins - 2004 - In Max Kölbel & Bernhard Weiss (eds.), Wittgenstein's Lasting Significance. New York: Routledge.
    Both Wittgenstein's account of following a rule and his private language argument turn on the notion of interpretation.
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
1 — 50 / 956